My Rankings of Sir Walter Scott novels

Due to popular demand (if by popular you mean Juice, and I do), below is my ranking of Sir Walter Scott novels. As most of you know, he is my second favorite author after Ryan Rhodes, author of Life Pus. I'm still holding out for the movie version of Life Pus, though Rhodes has apparently turned down multiple offers so far. Anywho, the list:


1. Quentin Durward: I just love positive protagonists. None of these modern "life sucks cuz I don't get what I want but at least I found myself along the way" craptagonists. Quentin is optimistic, idealistic, and his cuteness just leaps off the pages. Plus he finds true love. Too bad no GOOD movie was ever made from this story. I did see the old crappy movie version, and am still having anger-management issues as a result of that butchery. A+


2. The Fair Maid of Perth: This book has it all--romance, violence, drama, violence, death, kidnapping, violence, a hero who kicks butt, and a heroine who converts from anti-violence to "Oh, violence has merit." We'll never see a book that awesome again. A+


3. Ivanhoe: Juice will disagree with me because of one or two chapters where she had no idea what was going on, but this was the first Scott book I read so it will always have a special place in my heart. Who needs characterization when you have a medieval setting? A+


4. The Pirate: I loved the characters, loved the ending, and unlike alot of Scott's books that I ranked much lower, this one had a plot that actually moved, and you got where it was going before the midway point of the book. Always a plus. A+


5. Count Robert of Paris: Again, I got interested in this one pretty quickly. It helped that it was shorter and had a medieval setting. Scott does this setting well. A


6. Peveril of the Peak: This is my favorite of Scott's 17th century novels. The plot sounds dumber than it is when I describe it, but it really is a good read. A


7. Waverley: Scott's first novel, and a very good one. The female characters were underdeveloped, and it was a little predictable, but the plot moved well and kept me interested. A


8. Castle Dangerous: I'm a little surprised I placed this book so high. It was Scott's last novel, and I did get a sense he was a little tired of novel writing during the book. It took a little while for the story to get going, and the end seemed rather implausible, but it was a good way to spend a few long flights during vacation. A-


9. Redgauntlet: This book's title makes it sound a lot cooler than it is. It's actually a book that's half made of letters between two best friends who just graduated, and one of them ends up getting kidnapped, so the other one goes on a quest to find him. The epistolary parts get a little cheesy, but I really liked it for all that. I'm a sucker for epistolary cheese, I guess. A-


10. The Talisman: Again, title much cooler than book. The talisman has little to do with the story and was probably just chosen in order to sell the book. There's a ton of Saladin-worship in it, so if you're a Saladin fan you might enjoy it more than I did. Not to say I didn't enjoy it, but I get it already, Saladin is perfect. B+


11. The Betrothed: More boring, romantic girls might like this book alot more than I did. Very cliche plot about a couple in love, but she's betrothed to his uncle. Gee, I don't know where that's going. The medieval period makes up for some. B+


12. A Legend of Montrose: This title is actually accurate. It's a short book, so maybe it would have been ranked higher if the story was more fleshed out. Or it might have been ranked lower, because the story would have moved more slowly. B+


13. The Fortunes of Nigel: I liked this book, but I hated Nigel. Biggest baby ever. Dude couldn't even dress himself, the priss. He didn't deserve a happy ending, but I was happy for him anyway. B


14. Woodstock: Rather contrived plot that takes place during the time of Cromwell. Some good fight scenes and other dramatic scenes. Nothing special. B


15. Anne of Geierstein: This book is one of Scott's weird ones that kind of take place outside of a bigger story, or multiple bigger stories. The action is very sporadic. It's like Heidi with a little political intrigue and war tossed in there. B


16. Guy Mannering: Scott's third book. I liked the characters, but the plot was all over the place. It's like he made it up as he went along, which would be ok if the plot ended up being plausible. He really should have made fewer of his books about kidnappings. B-


17. The Black Dwarf: Like A Legend of Montrose, lengthening this book might have made it better or worse. It was fine for what it was. B-


18. The Heart of Midlothian: This is supposed to be one of Scott's best novels. It was fine, but the female characters were a bit overkill. This one could have been alot shorter. B-


19. The Abbott: I would have liked these characters much better in a different story. Basically they're stuck guarding Mary Queen of Scots the whole time, until she gets taken away to be killed or something. Mmm-kay. B-


Everything below this point should not be read unless you really want to waste your time.


20. Rob Roy: The worst of Scott's titles that were obviously chosen to sell books. Perhaps it wasn't his fault, but come on, Rob Roy was a tertiary character in this story at best, and the real plot isn't a speck as interesting as anything Rob Roy was involved in, and the end was such a rip-off. D+


21. The Antiquary: Scott's second novel, written solely for Scott's enjoyment of writing about a character who was a geek about all thing ancient. The plot teetered between boring and nonexistent, but what there was of plot was predictable. D+


22. The Monastery: This book had potential, but it sucked. D+


23. A Tale of Old Mortality: Do not read this book. It was an excellent book up until the last chapter, and then it became the stupidest, most cliche and unsympathetic book ever. You begin the book being set up to think that Old Mortality is a character in the book, and that one of the male characters will become him. Turns out Old Mortality is NOT a character in the book, he was just used to set up the story and has nothing further to do with it, causing most of the interest of the book to be taken away. I hate this book. The ending makes me so angry! F


24. The Bride of Lammermoor: It's pretty much like the opera, only not as good. F


25. Kenilworth: This was praised as one of Scott's best novels. Huh? Why? The only decent thing in it was two tertiary characters. F


26. St. Ronan's Well: Scott's only contemporary novel. No one in the history of mankind liked it, including Scott himself. F-


27: Chronicles of the Canongate: A couple lame short stories. F-